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Ballade of the New Humour. Ballade of the One-Eyed Tout. Ballade of the Tyranny of a Commercial Empire. Ballade of Tripos Fever. Ballade of Ursa and Ursula. From The 11 May issue of the Cambridge Magazine. Ballade of Whist. Balloon, The. Balzac: A Note. From The August issue of The International.

Banned Lecture, The. From The Banned Lecture. Battle of the Ants. Beatrice, La translation. Beau Navire, Le translation. Beauty and the Bhikkhu, The. Behind the Front. Belle Heaulmiere, La. Beside the River. From Jephthah and Other Mysteries. Big Game. Billy Sunday. Birthday, A. Bismark of Battersea, The.

Bitte, Herr, Bezahlen! Black Magic is not a Myth. From The 2 July issue of the Sunday Dispatch. Black Mass, The. Black "Masters" Menace. From The 3 September issue of the Empire News.

Blind Pig, The. Blind Prophet, The. Blind Webster, The. Blizzard in the Sahara, A. From The 1 March issue of The Bystander. Blood-Lotus, The. Blunders of Edward VII. Bomb, The. From The 7 November issue of What's On? Bonds of Marriage, The. From The March issue of The International. Boo to Buddha. Book 4 Part I. Book 4 Part II. Book of Lies, The. The Book of Lies. Book of the Law, The. The Book of the Law. Book of Thoth, The Prospectus. Bourgeois de Calais, Les. Boyhood in Hell, A.

Brain-Waves During the Heat-Wave. Branks, The. Bride Groom, The. From The Rosicrucian Scandal. Buddhist, The. Bull-Baiting, The. Burmese River, On A. Burning of Melcarth, The.

Buttons and Rosettes. By the Cam. Cain et Abel translation. Call of the Slyphs. Cambridge Poets Camel, The.

Camp Fire, The. A Study in Nerves. From The 2, 9, and 16 January issue of What's On? Cannibals, The. Career for an Essay, A. Career for an Essay. Carey Street. Carmen Saeculare. Carrion translation. Caveau des Innocents, Au.

Cemetery and the Shooting Gallery, The. From The August issue of Vanity Fair. Chaldean Fools. Chalk Climbing on Beachy Head. Challenge, The. From The Star and the Garter.

Chant au Saint-Esprit. Chants Before Battle. Chez Sherry. Chicago May. Child, The. Chinese Music. Chogo-Ri, The Expedition to. Chorus of Shipbuilders. From Ambergris. Chute, The. Chymical Jousting of Bro. Perardua Liber LV.

Cigar is like a Wife, A. From A Dictionary of Similes. Circle and the Point, The. City of God, The. Clock, The translation. Clouds Without Water. Coenum Fatale. Collected Works - Volume I. The Collected Works , Volume I. Collected Works - Volume II. Colloque Sentimental translation. From The September issue of Vanity Fair. Concerning "Blasphemy".

From The 16 November issue of The Bystander. Concerning Certain Sins. From Jezebel and Other Tragic Poems. Conduct of John Briggs, The.

Consecration of a Nun. From Amphora. Contra Conjugium T. Conventional Wickedness. Conversion of Austin Harrison, The. From The January issue of The International. Convert, The. Corn Beef Hash. Coureuse, La. Course of True Love, The. Crime of Edith Cavell, The.

Crisis in Freemasonry, The. Crowley Pool. Cruche Cassee, La. Cry of the Hawk, The. Curious Kind of Lightning, A. Cyclops Surprend acis et Galathee, Le. Dance of Shiva, The. Dangers of Mysticism, The. Daughter of the Horseleech, The. Day Without A number, The. De Profundis. Dead Weight. Death-Bed Repentance, A. Death in Thessaly, A. Death of the Drunkard. Declaration of Independence. Dedicace Peintre, que ton amour Dedication and Counter-Dedication.

Dedication to J. Delenda Est Britannia. From The 3 January issue of The Fatherland. Denial of St. Peter, The translation. Descent of the Moench, A. Despot, The. Deux Genies, Les. Diana of the Inlet. Dinosaurs, The. Disappointment, An Essay in Tactics. Disciples, The. Discovery of Gneugh-Ioughrck, The. Doctor Bob. Dog and Dame, With. Dome, The. From The 9 August issue of The Bang. Dowser, The. Waite's "Wicked Man from Egypt". From The 30 April issue of the Washington Post. Dragon-Flies, The.

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Earth, The. Edge of the Desert, On the. Editor Boosts the Next Number, The. Editorial - Equinox Volume I, No. Eighteenth Day, The. Eighth Day, The. Elder Eel. Electric Silence, The. Elephant and the Tortoise, The. Eleventh Day, The. Elizabeth, To. En Sourdine translation. End of England. From The June issue of The International. England on the Brink of Revolution. From The 21 July issue of The Fatherland.

England or Germany? From The 16 June issue of The Fatherland. England Speaks. English Spirit, The. Epervier et Colombe. Epilogue to Amphora. Epilogue to Jephthah and Other Mysteries. Epilogue to Jezebel. Epilogue to Songs of the Spirit. Epilogue to The Sword of Song. Epilogue to The Tale of Archais.

Equinox Volume I, Number I. Equinox Volume I, Number V. Equinox Volume I, Number X. Eve Hers was the first Eve The serpent Glimmered…. Eve of Love. Evocation, The. Ezekial In the Quarter Montparnasse. From The 12 August issue of Vanity Fair.

Excluded Middle, The. Exile, The. From Carmen Saeculare. Eyes of Dorothy, The. Eyes of Pharaoh, The. Faith of Life Prologue. From The September issue of Pearson's Magazine. Farewell of Paracelsus to Aprile, The.

Fatal Force, The. Feast of the Nativity The cool December…. Feast of the Nativity The Virgin lies at…. Felo De Se. Femme Accroupie. Femmes Damnees Kiss me O, sister…. Femmes Damnees Like pensive cattle… translation. Fifteenth Day, The. Fifth Day, The. Fiftieth Day, The. First Day, The. Five Adorations, The. Five Kisses, The. Foire, La. Fork of the Roads, At the. Fortieth Day, The. Four Winds, The. Fourteenth Day, The. Fourth Day, The. Fortune, La. Forty-Eighth Day, The. Forty-Fifth Day, The.

Forty-First Day, The. Forty-Fourth Day, The. Forty-Ninth Day, The. Forty-Second Day, The. Forty-Seventh Day, The. Forty-Sixth Day, The. Forty-Third Day, The. Fount of Blood translation. Fragment, A Draw nigh, sweet maiden Fragment, A Night the voluptuous Frank Harris: An Attempt at Appreciation.

From The October issue of Pearson's Magazine. Frank Harris' Great Book. Fun of the Fair, The. Future of the Submarine, The. From The 6 October issue of The Fatherland. Galahad in Gomorrah, A. Game of Crowley, The. Garden of Janus, The. Garret Hostel Bridge, On. Garotte, The. General White, An Open Letter to. Genius of Mr. James Joyce, The. Gerald Festus Kelly, Ode to.

German View of War, The. German Views of the War. Ghouls, The. Gloire et Louange translation. Glow-Worm, The. Goad, The. God and the Girl, The. God Eater, The. The God Eater. God of Ibreez, The. Gods, The. Goetia, The Book of the. The Book of the Goetia. Gold Bricks. Good Friday. Good Hunting. Great Drug Delusion, The. From The 11 August issue of The Fatherland.

Great Pyramid of Ghizeh, In the. Groans from the Padded Cell. Growth of God, The. Guerre, La. Guide to the Walks and Climbs Around Arolla. Gun-Barrel, The. Hail Mary. Harbour, Vera Cruz, The. Hashed Pheasant. Hawk and the Babe, The. Hawk and the Blindworm, The. Heart of Holy Russia, The. Hearth, The. Heikle, The. Henrik Ibsen. Hermit, The At last an end Hermit, The Lonely, O life, art thou Hice, A Ritual to Invoke. High History of the Good Sir Palamedes.

Hills, The. Himog, The. Hindu at the Polo Ground, A. His Secret Sin. Hokku Contest, The Prize Winners of the. From The October issue of Vanity Fair.

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Honourable Adulterers, The. The Honourable Adulterers. House, The. Household Gods. How and Why of Ecstasy, The. From The Rites of Eleusis. How Horoscopes are Faked.

How I Became a Famous Mountaineer. How To Tell an Englishman from an American. From The August issue of Lilliput. How to Write a Novel!

From The 30 December issue of Vanity Fair. Humanity First. Hut v. Hymn of Orpheus. From The 18 October issue of The Bang. Hymn for the American People. Hymn to Apollo. Hymn to Pan. Hymn to Satan. I Have Killed Them. From The 10 September issue of the Empire News. Once the spectators see where things are heading, they tend to get more creative in their choices. Maybe — just maybe — we should fail more. Consider a method where mentalists if not magicians have some comfort level with making a mistake: when the performer has to fish for clues to determine which thing, out of a small range of options, their volunteer is thinking of.

Andy Nyman has a story I love about a performance that went terribly wrong. It was his very first high-paying gig, a pre-nuptial party at a champagne bar before a large, wealthy family.

I just thought this was tricks. This must be real! Bobby did assure me that the effect usually worked, that he had performed it successfully many times and had a stack of notes on the workings of Principle X at home.

Stephen Tucker and I discussed all kinds of methods. Could there be some rules at work here? Think of an episode of House — how many times does House try and fail to cure someone in a typical episode before his ultimate success? But even with less error-prone heroes, there is often a moment when failure seems so inevitable, you doubt victory is even possible The ones that really mattered.

Full of darkness and danger, they were. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? Consider The Avengers. And why not? It took Einstein to say, no, this failure was in fact a great success that pointed the way to relativity and a new understanding of the universe. You will know failure. Continue to reach out. So why are we magicians and mentalists so afraid of failure even in the controlled and contrived way of a faked misstep by a tightrope walker?

I think it betrays a certain way of thinking: the idea that a magic show is a competition between magician and audience, them trying to figure it out and us trying to fool them.

But to me I see in many of the greatest magicians a tendency to try to escape this dynamic and find something more profound. First, it is an act of generosity toward your audience — you allow them to see you as vulnerable, imperfect and human. Failure makes you relatable and handling the failure well makes you likable.

How do you handle failure well? The same way a character in a movie might. First, allow yourself to feel the disappointment of the loss — instinctively we like characters who are vulnerable and our hearts go out to those suffering pain, loss or humiliation, especially when undeserved conversely we distrust those who seem impervious to suffering.

But pain must be borne with grace, without complaining, self-pity or blaming others. Accept all the blame yourself. But the thing we admire most of all in a character is perseverance.

You keep going. Own the failure but — and this is essential — do not let it stop you! Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn't.

They kept going. A hero does not give up. Yes, he fails and he suffers, but he uses this failure as fuel — he gains insight from it and thinks about what went wrong. But he refuses to give up. And then he rises up and succeeds in the end. A hero accepts failure. He does not accept defeat. In fact, he is willing to face an even bigger challenge. In The Avengers, when the team is defeated by Loki and a small ship of henchmen, they go on to face not just Loki, but an entire army of Chitauri!

On flying scooters! And a bunch of huge armored flying whale things! So if you fail, you try again. And you try bigger. He tells me that when he then goes into TOBT — in which he faces even longer odds reading five minds at once — it just slays them. Bringing it back to this effect, if you fail at one of the following Subtle Monkey effects, then launch into one of the fail-safe versions of the th Monkey. Seal this card in an envelope and cut a small window just at the spot where the blank is.

Then take a moment with your hands out of your pocket to milk the bittersweet drama of failure and embrace the dark moment. Probably the most difficult thing we mentalists can do is foretell the future — you never know when a moment of strange clarity will strike you. And one such moment struck me just before the show tonight. Grace in failure. Sorrow without self-pity.

Acceptance and learning from mistakes. Perseverance in the face of an even greater challenge. This is what gives the final victory meaning — this transforms a simple Victory into Redemption, which is the most powerful story of all.

The main idea in this section is to use the th Monkey principle to show two of the most common choices a spectator is likely to make when offered a choice and so greatly increase your chance of a hit.

None of the effects here have to be done as a th Monkey effect — the card could be used as a prediction and I think it works especially well as an open prediction. This means that you show the audience the card from the start — if your spectator chooses the most likely force word — awesome!

Just show your prediction to him from a distance. In turn, an open prediction can be presented as an experiment in precognition or psychological influence.

Then you ask your volunteer to think of a color. Before you tell everyone here, let me ask you this: do you see your color in this picture? Is this your color? The chances are excellent that he will say yes and thanks to the miracle of dual reality you will have your hit.

But I was not using these techniques to influence him to choose a particular color, I was using them to make him think I was right no matter what he color he chose. You should really check out the full description of the effect in PS3 — it goes into detail on the fascinating psychology of how this works. Here I have adapted it to a th Monkey style scenario and it can be tweaked from here into an Open Prediction, Precognition or any other plot you prefer.

After you have shown the card to the audience you turn to the volunteer. In a moment I want you to think of a word. People like to think of transportation, animals, anything you like. We just want the first thought that pops into your mind. No pressure. The Super Subtle Monkey This second way to merge the th Monkey principle with Psychological Subtleties is pretty sweet: the idea is to use the hybrid images and dual reality to make the force word seem more unusual than it is.

This has never struck me as one of the more impressive of the psychological forces. The most likely answer is Measles. The wider audience sees Mycosis, which is not strictly a childhood disease, so you may not want to perform this one at a pediatrics convention.

Tell me please, did we get one right? But the audience will see less likely answers — cat and toad. No one ever gets this! He will see the most likely choices — Table and Chair — while the audience will see Throne and Chest. He was captivated by that magical moment of transition between the two images. The hypnosis presentation gave you a choice of playing it either as dual reality or using that cool, visual transformation of the words — you could even do both in the same routine!

It was a great idea and I set to work trying to find a way of tying it into some sort of meaningful presentation. This is one of the ones I came up with. To be clear: this routine does not require anyone to be hypnotized and it does not require you to know anything about hypnosis — this is all fakery and skullduggery though not so much skullduggery as in stage hypnosis shows that rely on instant stooges.

This can be presented as a one-off effect within a magic or mentalist show. This can be used in hypnosis shows, perhaps as an early fail-safe routine to help establish your credibility.

Bizarre magicians may find a trance theme appealing. I particularly like the induction where a person imagines themselves descending a set of stairs as they descend into a hypnotic state. Finally, if you have skills with hypnosis and suggestion you should be able to use those skills to enrich these routines.

Conversely, hypnotists can use these techniques in their routines as a way to seem to get hypnotic- style effects even from people who are very resistant to taking your suggestions. Effect: The Performer returns his subjects to a pre-literate state where they can no longer read.

This jumble was also designed to sound funny. I think the key to success here is to frame it in such a way that by failing to read the word the volunteer actually succeeds by proving the power of their imagination to remember a pre-literate state.

Words organized our world and enabled us to understand it. Good… Let a feeling of relaxation spread through your body. Let every muscle and every nerve grow loose and limp and relaxed. You are feeling more relaxed with each breath you take, with each beat of your heart. When I say the number 5, you will imagine yourself at the top of a small set of stairs. When I say the number 4, and with each additional number, you will move down those stairs relaxing more completely.

And as you relax you feel younger, more like a child. The moment I say one you will crawl into that bed and rest. Nod if you understand. You are at the top of the stairs Stepping down, relaxing, letting go, feeling younger Moving down the stairs. Into rest, into the past, a past without responsibilities… It feels good Feeling more relaxed, younger, smaller, childlike Into the bed, let every muscle go limp and let go. The next sequence will depend very much on how suggestible, playful and imaginative your volunteers are — are they going to give into this moment of childlike wonderment or resist it?

Part of the fun of a hypnosis show is that we are putting people in a situation where the rules of behavior are new and unclear — it gives them permission to act out in uninhibited ways. But new rules very quickly establish themselves — if the hypnotist lavishes time and praise on people who react a certain way such as hamming it up , others will consciously or unconsciously start acting the same way.

This effect is incredibly clean and seems impossible — it suggests that the only possible explanations are real mind reading or some kind of pre-arrangement via pre-show or stooges.